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The Capricorn Key Description Name: Kiseki Personality: Extremely quiet. Its as if, being left alone for so much of the time, he never caught on to the habit of speaking. Despite this, he has an expressive face, and is quiet adept at expressing himself non-verbally. He possesses a quick mind, and is terribly mischievous and playful. In fact, he is more likely to actually speak during an especially playful mood. A curious boy, he investigates thoroughly everything that comes into his room, and has been caught trying to escape more than once (always in the spirit of exploration). He has had no formal education, and the few books in the room appear to be for his masters' benefit. Although he has been seen handling them upon occasion, there is no evidence that he can actually read. While he does enjoy his masters' company, he still holds himself emotionally aloof. Everyone is a playmate, but genuine attachment is always lacking. The occasional bout of jealousy he displays stems more from his own boredom, and desire to be the center of attention. He is, however, very skilled at faking affection and enjoys playing at romance. In bed, he is just as playful as he is out of it, and very energetic. He isn't by nature submissive, although if its proposed as a game he will gladly play the role... for a short while. Invariably he'll get bored and become more aggressive. While he needs a firm master to keep him from becoming unruly, he doesn't respond well to strict discipline. Be too harsh, and he's liable to sulk, or worse, extract revenge. Room: Kiseki's room is very tactile friendly. Stuccoed walls, thick carpets, velvet hangings and chinchilla throws. The colours are vibrant, and everything about the room seems designed to stimulate. A large bed dominates the room. There are eye-bolts affixed to the walls and ceiling, some unused, others hold shackles and various sorts of swings and bars. A large chest sits at the foot of the bed, filled with a variety of toys and nicknacks, some of a sexual nature, others perfectly mundane. Kiseki, of course, makes no distinction between the two.
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